I find there to be something special about horror films that rely on grounded, well-crafted scenarios to elicit fear, rather than resorting to cheap supernatural scares, or outlandish schema that serve up a healthy dose
Continue ReadingAuthor: Shane Edgeworth
Werewolf (Review)
From the opening shot of a frayed clothes line being taken down, to the haunting image that followed, I was fascinated by Ashley McKenzie’s 2016 directorial debut Werewolf. The creative flair of McKenzie’s style is
Continue ReadingA Street Cat Named Bob (Review)
The world can seem a gloomy place if you pay too much attention to the news, which more often than not abides by the old adage that ‘if it bleeds it leads.’ Thus, people can
Continue ReadingThe Breadwinner (Review)
Most of the time in cinema, there is a concerted effort made to distract audiences from the fact that what they are watching is a constructed narrative. In fewer cases, there are films which deliberately
Continue ReadingDeadpool 2 (Review)
Sequels are never an easy feat to successfully pull off, especially when its predecessor is so well loved. Matching the first installment’s quality is one thing, but to actually veer in a fresh narrative direction,
Continue Reading48 Hrs (Review)
When discussing Canadian filmmakers, there are certain names that always crop up. James Cameron, David Cronenberg, Atom Egoyan, Denis Villeneuve; these are all names that are considered synonymous with Canadian cinema, and deservedly so, given
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