From Liza Minnelli in Cabaret to Marilyn Monroe in Gentlemen Prefer Blondes, there are movie beauty looks that define an era. Whether it’s the pencil-thin eyebrows Marlene Dietrich sported in Shanghai Express, or Audrey Hepburn’s
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Juno (Review)
When reviewing a film, I normally single out the achievements (or lack thereof) of the director, as this person is perhaps the single most important figure in bringing a screenplay to life. While a similar
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