For many years, Canada has mostly been a service industry for US film and TV productions. Vancouver, Montreal, and Toronto would constantly be dressed to play New York, Boston, Chicago, Seattle, San Francisco, and even
Continue ReadingInterview with Thommy Morais
With all the work going on here at HNMAG, it’s been hard for me to keep up with this and other projects I’ve had going on. But it has really paid off for me. Recently,
Continue ReadingLunar Sway: How a Canadian Indie Film Found Its Way from British Columbia to the World Stage
In the fictional desert town of Mooncrest, Lunar Sway finds its characters surrounded by heat, isolation, eccentricity, and the possibility of unexpected connection. In reality, however, Nick Butler’s 2026 Canadian feature began far from a
Continue ReadingGodzilla Minus One Director’s Credits James Cameron’s Aliens and Terminator 2, While Keanu Reeves is in Talks for James Wan’s Next Film
It is, by now, inarguable that Japanese filmmaker Takashi Yamazaki’s Godzilla Minus One – which he not only wrote and directed but also served as the special effects supervisor – stands as one of the
Continue ReadingSeedance 3.0 and the Space Between Scenes: Exploring Visual Transitions
A film changes scenes long before a viewer consciously notices the cut. A shape in one image echoes another, a movement continues in a different place, or a quiet detail interrupts a busy sequence. These
Continue ReadingUnrequited Love and the Writer’s Voice: What Young Werther (2024) Inherits from Goethe
This article argues that the film inherits something other than plot. What travels from Goethe to the screen is a way of speaking: the confiding, restless, self – examining voice of a person who turns
Continue Reading



