- Page 193 of 723 - Insightful Commentary from and on the Canadian Film World

Happy FKN Sunshine – Review

January 16, 2023April 3, 2023ReviewConnor Rueter, Dana Hodsgon, Happy FKN Sunshine, Matt Close, Mattea Brotherton, Maxime Lauzon, Ted Dykstra

I’ve never had many intentions to start a band. I did once or twice in my pre-teen years, but I’ve never been too musically involved. And yet I may have the world’s largest collection of

All Aboard for Weird Minded – Review on Drug Train

January 13, 2023January 10, 2023ReviewAlden Doyle, Bijan Karim, Drug Train

It’s a mixture of footage with little to no plot. I’ve had my fair share of these during my first year of VIFF when I bought an all-access pass and used it to watch as

SHOW ME THE MONEY

January 12, 2023January 4, 2023The Bottom LineCanadian Film Industry, filmmakers, Producers

As the clock nears midnight and I watch Anderson Cooper and Andy Cohen ready the world for 2023, I begin to contemplate my own New Year’s resolutions. To start with I wouldn’t mind losing the

The Reviews Are in for HBO’s The Last of Us, and They’re Stellar

January 11, 2023January 11, 2023Today's Top StoriesHBO, The Last of Us

We are now just days away from the most anticipated television premiere since The Lord of the Rings: The Rings of Power and HBO’s own House of the Dragon, and as the reviews started to

THE FRIENDSHIP GAME a Fun-Free Horror

January 10, 2023February 9, 2026ReviewBrendan Meyer, Kaitlyn Santa Juana, Kelsey Mawema, Peyton List, The Friendship Game

Never are the bonds of childhood friendship more tested when we hit the beginning stages of adulthood and move on to different cities, schools, jobs, etc. It’s rich dramatic ground that director Scooter Corkle barely

Canadian Film Industry Adapts to Streaming Services

January 10, 2023January 10, 2023TechnologyStreaming Services

The Canadian film industry is undergoing a significant shift as streaming services become increasingly popular. This shift has brought both challenges and opportunities for the industry, as it adapts to the changing landscape of media