Last week I concluded my review series of Xavier Dolan’s films with his latest (and possibly most disappointing) effort, It’s Only the End of the World. I have already made my opinions clear on each
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It’s Only the End of the World (Review)
Accomplished filmmaking is a question of consistency on a number of different fronts…but few filmmakers produce consistently accomplished works. It is understandable that a director will not always get things right in the quest of
Continue ReadingMommy (Review)
The relationship between a mother and son is a recurring theme in each of Xavier Dolan’s film. While it may be fleeting in Heartbeats, or part of the greater whole like in Laurence Anyways, it
Continue ReadingTom at the Farm (Review)
A great director must take risks. It helps separate them from the pack, or even solidify a legacy that recognises their achievements and contributions years on…even if the risks aren’t working out so well for
Continue ReadingLaurence Anyways (Review)
In my mixed review of Heartbeats last week, I said that if young auteur Xavier Dolan could direct a film that balances the more refined storytelling of Heartbeats, with the character development of his debut
Continue ReadingHeartbeats (Review)
It is week two of my Xavier Dolan series, having begun last week with his film feature debut, I Killed My Mother. Despite minor flaws, I was immensely impressed with the young director’s film, eager
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