Review Archives - Page 56 of 163 -

Critic’s Choice: Top 5 of 2019

December 31, 2019December 17, 2019Opinion, Review2019, AMI, Canadian Strain, Harpoon, John Wick 3: Parabellum, The Grizzlies, This Mountain Life, Top 5, Who Let The Dogs Out

As we wrap up the last decade before the roaring 20s return, I found myself with an even longer list of quality titles to choose from making my task of narrowing down a Top 5

STAND! Strikes Out as a Musical Drama

December 24, 2019February 5, 2020ReviewGregg Henry, Laura Slade Wiggins, Marshall Williams, Stand

You’re more likely to find a sales associate at Canadian Tire than you are to encounter a musical among the many genres on offer in Canadian Cinema. After the sorry attempt that was Score: A

Our Favourite Movies With Extremely High Stakes

December 20, 2019December 20, 2019ReviewCasino Royale, Layer Cake, Lock Stock and Two Smoking Barrels, The Cincinnati Kid

There are many fantastic genres of movie out there. However, nothing compares to films with high stakes, where there are life or death situations and edge of the seat action. Most of us would have

Whistler Wonders – Threeview

December 19, 2019March 2, 2020ReviewSpinster, The Artist's Wife, The Marijuana Conspiracy, WFF, Whistler Film Festival

While Whistler Film Festival is long behind us and Shaun ended up doing event coverage this year instead, I still got a good chance to watch some movies at WFF which were highly discussed but

She Never Died (Review)

December 18, 2019September 1, 2022ReviewAudrey Cummings, Olunike Adeliyi, She Never Died

The zombie movie has, quite frankly, been done to death (pun absolutely intended). It can be difficult to put a unique spin on the genre by this stage, though there are the rare examples in

WFF: CANADIAN STRAIN Delivers a Timely Homegrown Tale

December 17, 2019February 5, 2020ReviewCanadian Strain, Geordie Sabbagh, Jess Salgueiro, Naomi Snieckus

It was only just recently with another Whistler Film Festival entry that I found myself yet again bemoaning the continued Americanization of our taxpayer-funded Canadian content. It’s been endlessly frustrating to see local locations and