Review Archives - Page 55 of 163 -

Dusting Off Cronenberg’s STEREO

February 4, 2020March 2, 2020ReviewDavid Cronenberg, Jack Messinger, Ronald Mlodzik, Stereo

The experimental film does not lend itself well to critical analysis. They don’t so much push boundaries as break through them entirely while killing the border guards for good measure. As such, they are wide

Nature’s Cleanup Crew helps the Environment Efficiently

January 30, 2020February 5, 2020ReviewDavid Suzuki, Nature's Cleanup Crew

Everybody’s been getting pretty protective of the earth lately, with all the topics in the news today, Climate Change this and Greta Thunberg that, but one way we can fix things with cleaning the Earth

Mississippi Grind Review

January 29, 2020February 5, 2020ReviewAnna Boden, Ben Mendelsohn, Mississippi Grind, Ryan Fleck, Ryan Reynolds

As the opening shot fades in on rural Iowa farmland, the immaculate arch of a rainbow soon follows, lingering for a few fleeting moments before everything abruptly cuts to black. Such a sombre image might

Tapeworm – Infectious Plot with a Multitude of Storylines

January 16, 2020February 5, 2020ReviewAdam Brooks, Alex Ateah, Jennifer Mauws, Julie Simpson, Milos Mitrovic, Sam Singer, Stephanie Berrington, Tapeworm

Normally, I don’t react a whole lot to any kind of movies but when something makes me squeamish within the first few minutes, that’s a good sign it’s a great film. Or is it? Sometimes

Gone Curling – Mini-Review

January 9, 2020March 2, 2020ReviewGone Curling, John Howe

There are two sports this country is well known for: Hockey and curling. Everybody in this quaint little town of mine identifies as Canucks to feed into the hockey stereotype, but curling doesn’t seem to

THE SONG OF NAMES Sings a Melancholy Tale of Closure

January 7, 2020February 5, 2020ReviewClive Owen, François Girard, Norman Lebrecht, Stanley Townsend, The Song of Names, Tim Roth

The work of two classical music mavens collides as Québécois director François Girard adapts commentator-turned-novelist Norman Lebrecht’s The Song of Names for the screen. Those who haven’t haunted the symphony in a while need not