One of the major reasons I love cinema so much, is that it has such a grand capacity for escapism. While I feel it is essential to be engaged by grounded and challenging cinematic works,
Continue ReadingAuthor: Shane Edgeworth
2018 Academy Awards and the Canadian Nominees
It is that time of year again, as the film awards season is in full throttle, soon to be closed out by the milestone 90th Academy Awards. This year’s Academy Awards are significant not just
Continue ReadingDemolition (Review)
Last week, in my review of Jean-Marc Vallée’s Wild, I acknowledged the Montreal director’s increasingly recognisable style, which makes use of fleeting images and flashbacks to produce emotionally hard-hitting revelations in the present. The intricate
Continue ReadingWild (Review)
The concept of visual poetry is not so easily defined. If I were to make any sort of attempt at defining it, I would say that it is something you sense or feel, evoked from
Continue ReadingWake in Fright and the Gift of the Restored Classic
It is not entirely unusual for a film’s original print to get lost in the processes of history. In actual fact, they estimate that just over 75% of U.S. silent films are forever lost, and
Continue ReadingMoonstruck (Review)
There are many in my generation who don’t know this, but Cher once won an Oscar in the late ‘80s. In all likelihood, either you are now shaking your head as you curse the obviousness
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