Long after he made the snow-covered streets run red in Black Christmas and just prior to lensing the nostalgia-fest Christmas Story, American-born director Bob Clark utilized Canada’s generous tax-shelter film policy once again to bring
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Porky’s (Review)
During the Christmas period I reviewed American filmmaker Bob Clark’s 1974 classic psychological slasher Black Christmas, an accomplished cinematic achievement which proved to be an influential entry in the horror genre. Yet horror is not
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