It looks as if 35mm not only will not die — but, even in this digital age, it’s back in force. Xavier Dolan’s Grand Prix-winning Juste la fin du monde was made “using his preferred
Continue ReadingIt looks as if 35mm not only will not die — but, even in this digital age, it’s back in force. Xavier Dolan’s Grand Prix-winning Juste la fin du monde was made “using his preferred
Continue Reading