I’ve worked in post-production on the humble “Movie-of-the-Week” (MOW), the workhorse of the Canadian film/TV industry for many years now. I’ve seen them shot, assembled, re-worked, mixed, and scored as they evolve into products for
Continue Reading
I’ve worked in post-production on the humble “Movie-of-the-Week” (MOW), the workhorse of the Canadian film/TV industry for many years now. I’ve seen them shot, assembled, re-worked, mixed, and scored as they evolve into products for
Continue Reading