A creature attacks at night, the moon hangs over the neighbourhood, and the bite starts to change the person it marked. But director John Fawcett and screenwriter Karen Walton aimed at something stranger. The transformation
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Why Pontypool Still Feels Urgent: Canada’s Horror Film About Language as Infection
A horror film can scare you with teeth, blood, or a locked door. Pontypool does something stranger. It makes speech feel unsafe. Bruce McDonald’s Canadian film from 2008 begins in the confines of a small
Continue ReadingHow Movie Silence Became More Terrifying Than Jump Scares
You know the moment. A hallway goes still. The music stops. Nobody speaks. Your gaze is to the dark corner and thence to the half-open door and thence to the dark corner. It’s worse that
Continue ReadingWhy Francophone Horror Is Quietly Redefining Canadian Cinema
There is something spooky happening in the film industry of Quebec. The Canadian cinema used to be characterized by serious dramas or co-productions produced (on Canadian soil) by Hollywood. But there is another silent revolution
Continue ReadingUnveiling the Shadows: The Untold Stories of Indigenous Canadian Horror Films
However, over the last decade, Canadian horror cinema has been wholly changed by indigenous storytelling and offers a new viewpoint on the genre. This evolution has lessons to be learnt, not only to make film
Continue ReadingSnowbound Thrillers: How Canada’s Harsh Winters Shaped Its Psychological Horror Genre
Canada’s winters are harsh, cold, isolating and in some cases, deadly. It has created a psychological horror genre that is obsessed with isolation, paranoia, and the slow unraveling of the mind in this extreme environment.
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