- Page 169 of 688 - Insightful Commentary from and on the Canadian Film World

First Trailer Drops for the Highly Anticipated Ant-Man and the Wasp: Quantumania

October 26, 2022October 24, 2022OpinionAnt-Man and the Wasp: Quantumania, Michael Douglas, Michelle Pfeiffer

An increasingly common criticism of the Marvel Cinematic Universe’s Phase Four has been its apparent aimlessness, a sentiment with which I am inclined to agree. While it does feature standouts in Shang-Chi and the Legend

Tax Shelter Movies: SHIVERS

October 25, 2022October 25, 2022ReviewCathy Graham, David Cronenberg, Fred Doderlein, Shivers

Last week, I wrote at length about Canadian cinema’s “Tax Shelter Era” which ran from 1974-1982 and encompassed those movies in which investors could claim 100% of their investment in a film for tax purposes.

New Horror Possibilities from Cabinet of Curiosities – Interview with Jonathan Neil Alexander

October 24, 2022September 28, 2022InterviewCabinet of Curiosities, Jonathan Neil Alexander

Being the month of horror and scary stuff (as well as the month when I have extremely steady work), it’s fitting that a new horror series by Guillermo del Toro is being released. Take a

Tony Ofori Writes History via Streaming – Interview

October 21, 2022September 27, 2022InterviewGhostwriter, Tony Ofori

Ah, bookstores. The perfect place you want to go to buy books because the library can only let you borrow stuff for free for only 3 weeks or so. I don’t see too many people

Did Hayden Christensen Redeem Himself in Obi-Wan Kenobi?

October 19, 2022October 18, 2022Actors, Today's Top StoriesAndor, Hayden Christensen, Star Wars

Disney has dominated the sphere of television in recent years, doubling down on the rise of streaming services ever since it moved on from working with Netlfix and released its own highly successful service, the

My First Feature

October 19, 2022October 21, 2022FilmmakersAdam Egoyan, Bruce McDonald, David Cronenberg, Deepa Mehta, Denis Villeneuve, Directors, Sarah Polley

Most directors complete a body of work before they try their hand at a feature film and even a finished feature with ‘A’ or ‘B’ list talent doesn’t guarantee box office gold or streaming success in the competitive landscape