James Cameron is, arguably, the greatest cinematic export Canada has ever produced. To those dismayed at my previous statement, I say this from a purely cumulative perspective, as it becomes all the more difficult to
Continue ReadingAuthor: Shane Edgeworth
Hello Destroyer (Review)
To abruptly open a drama film supposedly about hockey with an on-ice fist fight might seem formulaic, but in actuality is the perfect opening statement for young filmmaker Kevan Funk’s 2016 feature film debut, Hello
Continue ReadingIt’s All Gone Pete Tong: Character vs. Plot
Without getting too caught up in the semantics, I believe it is fair to say that within the realms of television and cinema there are essentially two types of narratives: those that are plot-driven, and
Continue ReadingThe F Word (Review)
Try as they may, any filmmakers’ attempts to avoid the categorization of their respective works by genre is pretty much impossible in this day and age, especially since studios and audiences alike compulsively reach for
Continue ReadingHard Core Logo (Review)
Having analysed and reviewed the found footage films of Matt Johnson in these past few weeks, it is fair to say I have been going through something of a cinematic uber-realism phase. This is made
Continue ReadingOperation Avalanche (Review)
Any budding filmmakers making their feature film debut pray for success and recognition right out the gate, which of course is not always the case. Yet, an auspicious debut can lead to unduly high expectations
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