For a short period after my first viewing of the 1992 film Léolo, the final feature from Montreal director Jean-Claude Lauzon, my impressions were left in what I can only describe as a temporary state
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For a short period after my first viewing of the 1992 film Léolo, the final feature from Montreal director Jean-Claude Lauzon, my impressions were left in what I can only describe as a temporary state
Continue Reading