A creature attacks at night, the moon hangs over the neighbourhood, and the bite starts to change the person it marked. But director John Fawcett and screenwriter Karen Walton aimed at something stranger. The transformation
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A Film for Quiet Evenings: Why Falcon Lake Suits Viewers Who Skip Comedy
Not every night calls for laughter. Some evenings just want quiet — a story that doesn’t perform for attention, doesn’t rush toward a punchline, doesn’t ask to be impressive. Falcon Lake (2022) is built for
Continue ReadingManaging Irregular Income as a Freelancer in Canada’s Film Industry
The production has wrapped, but the final invoice still hasn’t cleared, and rent is due next week. Nobody has confirmed your next booking. Payday loans look convenient in that moment, yet paying one back can
Continue ReadingThe Discerning Canadian Audience Applies One Standard to Everything, On Screen and Off
Anyone who has sat through a TIFF press screening knows the moment a film loses the room. It is rarely the budget or the marquee cast that gives it away. It is the gap between
Continue ReadingDiane Kruger Plays Three Characters in The Shrouds: A Pre-Watch Guide to Becca, Terry and Hunny Before Their Identities Start Overlapping
Diane Kruger doesn’t simply appear twice in David Cronenberg’s The Shrouds. She is officially credited as three characters: Becca Relikh, Terry Gelernt and Hunny. That detail matters before watching because all three connect to Vincent
Continue ReadingRewatch The Red Violin With a Route Map: Follow One Instrument Across Three Centuries to a Canadian Auction
The Red Violin by François Girard is much easier to follow if you consider it as a jumping between stories instead of a following the violin. In the movie, a red violin of the same
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