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Now You See Me 4 Officially in Writing Process

February 6, 2026February 6, 2026AnnouncementsLionsgate, Now You See Me 4

After a long 9-year hiatus, the creators of the widely successful Now You See Me and Now You See Me 2 movies decided to reward their fans with a third instalment of the hit series

Behind the Camera in -30°C: A Day in the Life of Canadian Winter Film Crews

February 1, 2026February 2, 2026TechnologyCold, Film Crews, Heated Gloves, Temperature, Winter

Canadian film crews work through winter conditions that would shut down productions in most countries, with temperatures routinely dropping to -30°C or lower. The polished film audiences rarely reveal the frozen fingers fumbling with camera

What It Really Takes to Finance an Independent Film in Canada Today

January 19, 2026January 19, 2026TipsCanada, Film, Finance

Financing an independent film in Canada is a complex process that blends public funding, private investment, creative compromise, and strategic planning, with success often depending as much on timing and relationships as on the script

Canadian Movies And Telegram Communities: Building Real Buzz Without Big Budgets

January 16, 2026January 16, 2026TechnologyBudgets, Canadian Movies, Software, Telegram

Introduction: Telegram buzz that feels human Every festival season, film fans trade tips like hockey scores, and the best ones spread fast. In Vancouver and Toronto, Canadian movies often pick up steam inside private chat

Regulation on Screen: What Canadian Filmmakers Can Learn from Alberta’s Media Laws

January 14, 2026January 14, 2026The Bottom LineAlberta, Canadian Film Laws, Consideration, Media Laws, Rules, tax credits

Alberta is an increasingly popular destination for major and indie film shoots alike. Its sweeping landscapes and large amounts of available space has seen it feature in many big budget productions in recent years. However,

Andrew Garroni’s Long View on Bringing Naked City Back to Television

January 13, 2026January 13, 2026TelevisionAndrew Garroni, Naked City

As the industry continues to dig into its past for recognizable IP, the challenge is less in finding valuable properties and more in how those properties are handled. For Andrew Garroni, President of Master Licensing