In September last year, the latest directorial effort from the talented Nicholas Stoller was released to little fanfare, ultimately grossing just under $15 million against a budget of $22 million, despite a strong critical response.
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Why #notmyken Completely Misses the Point on Greta Gerwig’s Upcoming Barbie
With Greta Gerwig’s hotly anticipated adaptation, Barbie, a little over a month away from its July 21st release the marketing has been ramped up considerably, and with the increased visibility of any beloved franchise there
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What We Know About David Cronenberg’s Next Movie, The Shrouds
To the delight of many a cinephile – this journalist included – David Cronenberg, now an octogenarian with five decades of experience in the film industry, made a resounding return to filmmaking with the release
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What to Expect from The Boys Season Four
While the much anticipated fourth season of The Boys – arguably the best satire on TV right now – wrapped its filming in Toronto in April, as confirmed by series creator and showrunner Eric Kripke,
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Matt Johnson’s Unique Brand of Filmmaking Seemingly Realises Its Full Potential with Blackberry
Matt Johnson has now been working in the film industry for ten years, with his debut being the little-known but critically recognised The Dirties (which the Kevin Smith helped distribute) making a statement as the
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Why Season Two of The Last of Us Simply Cannot Adapt Its Video Game Counterpart as Faithfully as Season One
With the dust having settled since the finale of the first season of HBO’s The Last of Us, I think most will agree that it was not only a masterclass in adaptation, but also arguably
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