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Soul’s Road in Canadian Theatres Tomorrow

February 5, 2026February 2, 2026Filmmakers, IndependentDallas Smith, Joel Stewart, Soul's Road

Coming home is rarely simple, especially when the past is waiting. Soul’s Road, an upcoming Canadian drama with strong musical roots, tells the story of a fallen musician searching for redemption in the place where

The Things You Kill Arrives to Canadian Theatres

January 29, 2026January 26, 2026In Theatres Now2025 Sundance Film Festival, Alireza Khatami, The Things You Kill

With its hypnotic atmosphere and uncompromising vision, The Things You Kill has arrived in Canadian theatres as one of the year’s most talked-about international releases. Sitting at an impressive 96% fresh on Rotten Tomatoes, the

Shelly Hong Prepares Her First Film

January 22, 2026January 19, 2026FilmmakersGet Over It, Lynda Simmons, Shelly Hong, Supernatural comedy

Female-led supernatural comedies rarely get the space to be both funny and emotionally honest, but Get Over It is setting out to do exactly that. Being shopped at the Whistler Film Festival, the feature marks

Victoria Film Festival

January 15, 2026January 14, 2026Festivalsindependent film festivals, VFF, Victoria Film Festival

Every February, Victoria quietly transforms into a city in conversation with cinema. For ten days, theatres become gathering places, filmmakers mingle with audiences, and films that might never reach mainstream screens are given the space

56 Days on Amazon Prime Canada Next Month

January 8, 2026January 5, 2026Television56 Days, Amazon Prime, Catherine Ryan Howard

Amazon Prime Video has been quietly building a reputation for genre storytelling that leans a little darker, a little sexier, and a lot more psychologically messy, and next month, 56 Days joins that growing lineup.

At The Place of Ghosts Releases in March

January 1, 2026January 1, 2026In Theatres NowAt The Place of Ghosts, Bretten Hannam, Indigenous genre

Bretten Hannam’s At the Place of Ghosts is set to reach Canadian theatres this March, following a festival run that quietly positioned the film as one of the more distinctive Indigenous genre works of the