The work of two classical music mavens collides as Québécois director François Girard adapts commentator-turned-novelist Norman Lebrecht’s The Song of Names for the screen. Those who haven’t haunted the symphony in a while need not
Continue ReadingThe work of two classical music mavens collides as Québécois director François Girard adapts commentator-turned-novelist Norman Lebrecht’s The Song of Names for the screen. Those who haven’t haunted the symphony in a while need not
Continue Reading